It begins with an exuberant statement of a dance melody which surprises with some irregular rhythms. We know we are in for a sophisticated musical evening from the outset of the overture, which is really more of an orchestral prelude than a traditional Broadway overture. His use of recitative is a technique borrowed from the opera tradition, as is his use of trios and quartets such as "How Beautiful The Days." In his compositional style and harmonic language, he does not shy away from dissonance to serve the drama. More than 25 songs are woven together with stretches of evocative underscoring, lively dance music and sung recitative. For starters, there is about twice as much music as you would find in a typical Broadway musical of the time. It is an imaginative adaptation he significantly expanded the action, the locations and most notably the cast of characters, inventing Marie, the possessive sister of Tony, as well as Cleo and Herman, the lovable musical comedy secondary couple.įor the score, there's no doubt that Loesser set out to write something more than a standard musical. A grand hybrid of a show, it draws on traditions as diverse as opera and Tin Pan Alley and has provoked much debate about how exactly it should be categorized.Īfter his monumental success with Guys and Dolls in 1950, Loesser chose to adapt the 1924 Sidney Howard play They Knew What They Wanted, and this time he would write the libretto as well as music and lyrics. Since the show's debut in 1956, much has been written about the score's heterogeneous nature: Musical comedy songs coexist with soaring, romantic arias. These are some of the words critics have used to describe Frank Loesser's impressive and demanding score for The Most Happy Fella, a score which has inspired Encores! to present one of our largest productions to date, featuring a 38-piece orchestra as well as a 38-member cast. Smith mainly performs at various locations in and around Cornell, but he will return to Eau Claire on June 11 to play at Fanny Hill."Passionate." "Melodious." "Operatic." "Rich." "Ambitious." "Torrid." "Inventive." "Gorgeous." "Overwhelming." For example, “Polley Lane” is named for an actual street where an old girlfriend lived, while “Small Town Drunk” is more of a tongue-in-cheek tune. As for the album itself, the old-timey songs cover a range of topics from Smith’s own life as well as many different emotions. Vlahakis did all of the bass, keyboard, and drum work for the album, which helped Smith complete the record’s sound. But Smith says that he went there to utilize Vlahakis’ talents. He worked with Mike Vlahakis at Soundworks Studio in Eau Claire, who has since closed up shop. He also released an album titled Songs from Stacker Valley last spring. For the last five years, he has been playing his own acoustic shows. He has since played the guitar with various groups and in various styles. After this, he discovered a love for music. It all started on February 9, 1964, when his brother dragged him to their grandparents’ house to watch The Beatles perform on The Ed Sullivan Show. Terry Smith of Cornell who has been playing music for more than 45 years.
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